Saturday, December 30, 2017

My Favourite Films of 2017 - UPDATED

I'm delighted to share my annual list of my favourite feature films released in 2017.  Of course, I'm no movie critic so I haven't been able to see every major release this year, so there are several probably great films I have yet to see which could find their way into my top 13 favourites (in fact, one just did; The Florida Project has jumped to number 1 on my list!)  As I continue to see more movies, or as my opinions evolve upon more reflection, I'll continue amend this post, like I always do.   While I do consider myself a refined cineaste, this list is still, first and foremost, a list of my favourites.  So very good films that simply didn't appeal to me or even offended me won't make it on this list.  Still generally, I don't think any film critic or film lover would quibble with my top 13:

1.  The Florida Project:  Wow! Everything about this tender, incredible film is note perfect.  The film depicts life for a little girl living with her troubled single mother in a Florida housing project/motel and it's quietly riveting.  The performance by Bria Vinaite as the mother is mesmerizing and so is young Brooklyn Prince as Moonee, through whose eyes we see the experience unfold.  Plus I don't remember enjoying a performance by Willem Dafoe this much.  He most certainly deserves the acclaim he's getting for this.  This is great filmmaking. 

2.  Dunkirk:  Stunning visuals and direction from Christopher Nolan, as well as a stunningly hot and talented cast, depict the efforts to rescue the British and French armies from the beach in France in early World War II.   Gripping and beautiful to watch, I loved this war film from beginning to end.  It's nice to see Nolan stay true to his vision, perfectly execute it and now receive the acclaim and hopefully the nominations he deserves.

3.  Lady Bird:  I saw this recently and loved it.  Saoirse Ronan gives a performance as equally lived in and authentic as Timothée Chalamet did in Call Me By Your Name.  This is a brilliant character study and I loved the unique relationship portrayed between daughter and her mother, played by the amazing Laurie Metcalf, who I haven't seen much of since Roseanne.  I also adored Tracy Letts as Lady Bird's dad, as well as Lady Bird's relationship with her best friend Julie, played by Beanie Feldstein.  There are so many moments in this gem that I truly cherished.  Touching, intimate filmmaking here by Greta Gerwig.  (Formerly #9 but moved up after some more consideration.)

4.  Call Me By Your Name: This film is a sensuous delight that perfectly captures a unique moment in time and place for its characters.  It's the classic coming-of-age/first love tale many of us in the queer community have always hoped to see, free from queer film tropes like gay bashing, hateful parents or inevitable punishment and death.  This film chronicles the evolution of young Elio from genius yet inexperienced teenager to broken-hearted adult, and actor Timothée Chalamet embodies the role with seemingly effortless authenticity and feeling.  He is the beating heart and soul of this movie. (This was my #1, but upon more reflection and another viewing, I do find the romance fairly unsatisfying here; it works mostly as a one-sided reflection or memory of a teenager's first love that got away rather than a true romance.  Plus Armie Hammer's performance seems often unconvincing to me.) 

5.  Get Out:  This timely, anti-racist, satirical masterpiece by director Jordan Peele was released last winter, yet is now poised to do well this awards season, even perhaps take Best Picture.  It deserves to.  It's a perfect, original exploration of its subject matter about a young black man who visits the home of his white girlfriend only to find a house of horrors, playfully pushing buttons that need to be pushed today in our culture.  Loved it!

6.  The Post:  Steven Spielberg taps into the zeitgeist today in this note perfect film about the 1971 backroom deliberations at the Washington Post to possibly publish details of the infamous Pentagon Papers after the New York Times had been temporarily barred from doing so.  There is heady stuff here including the fight between government and the press, the competition between newspapers, the fight for equality and respect for women in the workforce.  And it's all handled with a non-melodramatic touch that felt completely realistic and appropriate.  Spielberg does thankfully keep some of his stylistic Spielbergisms in check, focusing on moving the story forward at all times.  And the film is gorgeous including the 1970s art direction and the awesome focus on the old-fashioned news gathering and editing process, not to mention the printing press mechanics.  Meryl Streep is perfect as are the rest of the cast.  I was born to love this movie!

7.  Baby Driver:  Super-hot Ansel Elgort plays the sympathetic driver nicknamed "Baby" who transports his fellow crooks away from their crime scenes.  Every element of this film - from the music, to the editing, to the sound, to the writing, to the acting - is masterful.  I watched this before the Kevin Spacey scandal erupted, so I have no idea if his presence might ruin it now for viewers.  But I suggest it's still demands a try.   

8.  The Shape of Water:  This just might be director Guillermo del Toro's best, most accessible film. It's certainly my favourite one of his.  It's still a little strange, but what else could it be coming from him?  Let its beautiful colours, sounds, effects and performances wash over you as soon as possible, I say.

9.  Okja:  If you've never thought about the conditions in which your food is engineered and brought to your table, you need to see this film immediately.   Director Joon-ho Bong does some of his best work here ever, artfully telling his tale without being preachy.  If you have Netflix, watch it!  Not only does this film enormously entertain, it inspires audiences to think.  It certainly inspired me to start buying "free run" eggs despite the extra costs, although I'm not quite ready to give up meat.

10.  Detroit:  I didn't know much about the 1967 Detroit riots, nor the shocking and heart-breaking Algiers Motel incident that took place during it, before watching this film.  But I do now thanks to the incredible talent of director Kathryn Bigelow.  Harrowing and essential viewing for anyone who thinks the police are just great and that black people complain too much about discrimination and police violence.

11. I, Tonya:  Hilarious and completely entertaining.  Margot Robbie superbly captures the essence of Tonya Harding's humanity, in all its tragedy and ridiculousness.  Allison Janney as her mother is an unforgettable villain.  The rest of the cast is awesome, as are all other elements in Craig Gillespie's film. 

12. Film Stars Don't Die in Liverpool: I read that many people were moved to tears during Call Me By Your Name or Lady Bird, but I wasn't.  But I did cry toward the end of this lovely film, which tells the tale of aging Hollywood starlet Gloria Grahame's affair with a much younger man, upon whom she depended during the final months of her life.  Annette Bening is perfect as Gloria Grahame, as is the supremely sexy Jamie Bell as Peter Turner, her lover. 

13.  The Big Sick:  I didn't think that star Kumail Nanjiani was sexy before seeing this movie, but I definitely do now.  Funny that.  Fabulous all around. 

14.  Wonder Woman:  Director Patty Jenkins (who helmed Monster back in 2003 with Charlize Theron) outdoes herself with this perfect telling of the famous heroine's story.  I'd always lamented the fact that Hollywood had not yet put Wonder Woman on the screen, but considering how great this film is, the wait was worth it.

Honorable mentions: 

Battle of the Sexes
God's Own Country 
Spider-Man: Homecoming  
Land of Mine 
Mudbound
I Am Not Your Negro 
An Inconvenient Sequel: Truth to Power
Star Wars: The Last Jedi
All the Money in the World  
The Lost City of Z
Victoria and Abdul
A Bad Moms Christmas 
Blade Runner 2049
Stronger

Strangest, completely fucked, but a masterpiece: 

mother!: Darren Aronofsky's most daring work can only be viewed and understood as an extended, tragic and violent metaphor.  It's a tough watch and definitely not for everyone.  But I've never seen anything else like this movie and remain glad I got through it.  

Disappointing:

Darkest Hour:  Gary Oldman gives a great performance as Winston Churchill.  But director Joe Wright has no idea how to make historical dramas gripping.  Instead, he spends his time using odd lighting and showing his hero "huffing and puffing" and marching quickly down dark hallways.  In calling it Darkest Hour, they mean that literally.  This is the most poorly lit film I saw this year.

Three Billboards outside Ebbing, Missouri:  I thought Frances McDormand, unlike in previous roles, was a little one note here.  There were many great characters here with stories playing out especially with Sam Rockwell, whose character was thoroughly repulsive.  Overall as a film: not horrible, but I just didn't like it that much including the (spoiler alert) non-ending.  

Beach Rats: Where was all the much-hyped male nudity?  And haven't I seen this closeted teen story done this way dozens of times before?

It:  Unsettling and not in a good way.  Watching kids fend off child molesters and killer clowns for two hours is not my idea of entertainment. 

The Dark Tower:  Way too short and rushed.

Valerian and the City of a Thousand Planets:  Lots of visual eye candy but little depth.

Kingsman: The Golden Circle:  Ugh, nowhere near as enjoyable as Part One.

The Great Wall:  Look, it's white guys saving the day in People of Colour land again.

Life:  Look, the black guy is the first one to die again.  Couldn't finish it.   How do you make a film with Jake Gyllenhaal and Ryan Reynolds together in tight quarters, and yet it still disappoints?

Worst film of 2017:

Geostorm:  Makes all other apocalypse films look like masterpieces.  So bad.

Tuesday, November 28, 2017

When good people like Nancy Leblanc step away from partisan politics, we all lose...

As long as we've recorded human history, we've known that politics is a nasty business, perhaps the nastiest. But also one of the most important - the pursuit of power will always be.

Plato wrote about a "philosopher king" as the ideal ruler. Such a person in practise has never existed, of course. Or if such a person actually did pursue political power, their idealism and principles would soon undermine those efforts. No doubt, history is filled with thousands of such decent people who considered politics but stepped back rather than compromise their integrity and ethics. The tragedy here is the absence of decent people relinquishes the realm of politics to the ruthless, nasty, amoral jerks who make up the vast majority of our politicians and those who work for them.

So there is nothing profoundly new about this post, except highlighting just the latest example of how the nastiness of politics has once again pushed aside a decent person. Nancy Leblanc is such a person. She may humbly disagree with being compared with a "philosopher queen," but for me, the comparison is apt as Nancy is exactly the kind of person our politics needs: someone who's in it for the right reasons, to help make people's lives better and to promote better public policy and governance.

Nancy is an accomplished Toronto lawyer who entered the political arena in 2014 as the Ontario Liberal candidate in Parkdale-High Park in west-end Toronto, then considered a thankless task taking on NDP veteran incumbent Cheri DiNovo.

Given only a handful of weeks to raise tens of thousands of dollars and her public profile, Nancy ran a great campaign and came within 600 votes of knocking off the well-entrenched incumbent. Had the party deemed to allow her to take the nomination sooner, as it did other non-incumbents in Toronto NDP ridings, Leblanc might've prevailed.

"I got involved in the political process because I sincerely want to make a difference in people's lives for the better. I am a lawyer and as such ethics and integrity are very important to me. So after coming so close to winning in 2014, I persevered and continued to work in good faith because I knew I could do a good job of representing this riding," said Leblanc in a statement this week. 

Since 2014, she's continued working in the grassroots, knocking on well over 20,000 doors in her riding, engaging with and advocating for local residents, working on riding specific policy ideas for the coming 2018 election.

She also used her considerable organizational skills to raise $50,000 for the local riding association, as well as raise over $50,000 for the Ontario Liberal Party separate and apart from riding resources.

She is the ultimate grassroots candidate with the kind of skills, local base and established profile you'd think the Ontario Liberal Party would want to take on the NDP again in 2018.

But sadly that doesn't seem to be the case and that's a shame. Another nominee with no public profile who doesn't even live in the riding, but close with the party backroom, seems poised to take the nomination instead.

Leblanc announced yesterday that she won't be continuing to pursue the Liberal nomination.

"I have come to believe that the path for me to continue to make a difference for the people here in Parkdale-High Park is not with the Ontario Liberal Party in 2018. This was a very difficult personal decision to make, especially after all the hard work over the past few years, but it is one that I have firmly made after much consideration around all of the circumstances involved," said Leblanc.

In life and in most professions, massive hard work, intelligence, integrity and years of grassroots campaigning will usually produce results.

But not in politics, sadly. Certainly not in Ontario provincial politics, it seems, these days. This is a major loss to the Ontario Liberal Party and to all Ontarians, frankly.

Despite this setback, Leblanc would still make an incredible politician and community leader and I hope she finds other ways to serve the public in the future. If she does take the plunge again, I will support her 100 percent.

Because if good, decent people like her step away from politics, we all lose.

Tuesday, November 14, 2017

Australia becomes 2nd country to pass same sex marriage by popular vote

Results of Aussie vote on equal marriage, courtesy ABC

Ireland was the first country in 2015 to pass equal marriage by national popular vote, by a margin of 62% to 38%. 

Today, Australia released its results in that country's postal survey of voters in which almost 80% of voters participated on the issue of legalizing same sex marriage in that country and the results are wonderful: 62% in favour, 38% opposed.  Observers expect the Aussie government to pass same sex marriage into law perhaps by the end of this year.  

I want to congratulate all Australians on this historic victory for equality! 

It's heartening that these national votes, at least in the western world, are starting to result in wins for human rights and equality.  Sadly other national votes outside the west in recent years, like in Slovenia, have been won by the bigots.

But referendum victories even in the west are a recent phenomenon.  Defeats in similar referendums at the state level in the United States used to be common.  It wasn't until 2012 that American voters started embracing equality by popular vote at the state level.    

Other victories for same sex marriage happened either in legislative bodies or in the courts, including in Canada where a court victory in 2003 legalized same sex marriage in Ontario, followed by passage of full marriage equality across the country in the House of Commons in 2005.  Full marriage equality was granted by the American Supreme Court in 2015 across that entire country.

Of course, we must not forget that homosexuality remains illegal in many parts of the world, so we must keep up the fight for equality the world over and not forget those LGBTQ people not fortunate enough to live in mostly progressive countries. 

As always, we can't forget that many other issues remain for LGBTQ people: Freedom from discrimination in human rights laws, protection against hate crimes, as well as a host of other economic equality issues which are even more relevant to all LGBTQ people than marriage laws.  On those fronts, much more progress, especially in over half of American states where LGBTQ people can still be fired from their jobs for being queer, is needed. 

Saturday, November 4, 2017

I never thought Frank Underwood's comeuppance would look like this...

Actor Kevin Spacey as Frank Underwood
Netflix has announced that Kevin Spacey will no longer play any part in its series, 'House of Cards.'  

This follows a series of allegations of sexual harassment and sexual assault leveled against the actor from various House of Cards male crew, former colleagues and actor Anthony Rapp, who made public last weekend complaints that Spacey made inappropriate advances on him when Rapp was 14 (and Spacey was 26.)

It also follows the maelstrom that has erupted across Hollywood recently in response to allegations against movie mogul Harvey Weinstein and other powerful straight men.

For a country that heard gross admissions of sexual assault and harassment from Donald Trump, but then proceeded to "elect" him anyway over a more qualified woman, these recent developments are a minor step in the right direction.  We have to continue to fight to make sure all sexual predators, straight or queer, pay for their behaviour (that means that Trump must be tossed out on his ass in 2020 if not sooner).  It's nice to see that the immense bravery it takes to come forward with allegations like these is being partially rewarded with some major professional consequences for those who clearly seem, due to the mere volume of complaints, to be far from innocent.  That's heartening.

This article this week by writer Natasha Chart proved to be one of the best articles on the connection between sexism and homophobia I've ever read.  I recommend it highly. 

But back to Kevin Spacey and 'House of Cards.'   Please allow me a bit of glee at Spacey's demise from the increasingly tiresome show.   This was a show that since Season 3 or 4 (of six) has become incredibly annoying, ditching any pretense for realism in favour of the repeated formula that went something like this: "Let's introduce weak adversaries for Frank, let them annoy him for an episode or two, then let Frank flick them away like dust off his lapel only to become stronger and even more powerful than before. Repeat."

It wasn't good writing the last three seasons, it was bullshit.  No politician has ever experienced the kind of uninterrupted climb to immense power as Frank Underwood.  And to get there, Underwood killed at least two people.  Furthermore, his wife Claire joined the murderous club last season just before the heavy-handed writers made her President of the U.S. 

I've been watching 'House of Cards' since the first season but have been disappointed since Season 3.  I stopped watching mid-way through Season 6 when it became clear the writers were taking delight in deceptively teasing us with the continued hope that Underwood and his wife would finally pay in any major way for their crimes.  In life, that kind of evil should face consequences, but so rarely does.  The last thing I need is to experience dramatized and exploited evil in my entertainment.  I'm kind of sensitive that way.  

That's why I've also refused to watch the celebration of misogyny and violence against women that is "Game of Thrones." Other sadists may love that shit, but not me.  (In a culture that adores such entertainment, is it any wonder that sexual harassment and violence against women remain such problems?)

Who could have foretold that Frank Underwood's demise would be due to the complaints of one man?  Anthony Rapp is my new hero. 

Friday, April 14, 2017

Anti-gay horrors in Chechnya need to be investigated and stopped!

Putra Kurniawan/EyeEm/Getty Images
After various reports in minor media outlets or websites about this story, the Guardian has finally published about it.   Still, questions remain:

Just what is going on in Chechnya?  Are Chechen authorities "rounding up" gay or gay-suspected men and putting them in concentration camps to face violence and even death?  

As the Guardian reports: "Journalists at the Russian newspaper Novaya Gazeta, which first reported the story, say they have incontrovertible evidence that at least three gay men have been killed since the operation started, and believe the full death toll could be much higher. Chechen society is extremely conservative and homophobic, and there are fears that some gay men may have been killed by their families after being outed by authorities." 

Of course, the despicable crew of folks running Chechnya and Russia deny the reports, claiming no gay people exist in Chechnya.

I hope more international media pick up this story and find out the truth. 

I'd also really like to know what my national government is doing to stop this outrageous treatment.  No doubt, our federal government is not particularly friendly with Russia these days, so I hope they are taking action to try to stop this.  

I've signed an Amnesty International petition.   I urge everyone to do the same. 

Let's not let this story disappear like so many other atrocities being experienced in our world have been.

********UPDATE********

Glad to see Canada's Minister of Foreign Affairs, Chrystia Freeland, speak out yesterday against the anti-gay violence in Chechnya. 

Here's another petition from OutRight definitely worth signing.

Monday, February 27, 2017

History made as 'Moonlight' becomes first LGBT-themed film to win Best Picture Oscar

What a beautiful shocker!

I'm thrilled this morning after last night's win by Moonlight as the surprise Best Picture winner at the Oscars, which is now the first LGBT-themed film to take the top prize ever!

It's also the first film with an all-black cast to win Best Picture at the Oscars!  Bravo! 

After previous disappointments, especially Brokeback Mountain's sad loss to a far lesser film in 2005, one might have assumed a queer movie would never earn the consensus of a body of voters known for their traditional choices and love of grandiose epics.  But last night that changed as the best film of 2016 prevailed, as far as I'm concerned.

We can also probably thank the Academy's preferential balloting system which allows the film with the most widespread support in the Best Picture category to rise to the top with subsequent ballot counts over polarizing or flawed front runners.   It happened last year when Spotlight beat out The Revenant.   And it happened last night too. 

It's also wonderful that this win is shared both by people of colour and queer people together.  That was the magic of Moonlight as it presented African-American characters that are marginalized in our society, including the LGBT community itself, and made their struggles and loves universal.   This is exactly what the world needed at this moment of increasing and alarming hatred and ignorance. 

I'll soon buy a copy of this classic film.  Maybe I'll even go see it again in the theatre to celebrate.  If you haven't enjoyed the poetic beauty of Moonlight, I encourage you to do so as soon as possible.  

Saturday, February 11, 2017

My short film "Tri-Curious" reaches over 50,000 views on YouTube!



I've mentioned before my side gig as a filmmaker. I finally decided to make my own film as director in 2015 and recruited some talented friends and artists in Toronto to make Tri-Curious, a short film that explores the awkward and anxious moments between a couple about to embark on their first threesome together.

The whole conflict between between traditional, strict monogamy versus more open-minded, experimental relationships intrigues me greatly.

I tried to embed a bit of that conflict in this film with this couple, along with some humour.  It was my first film as director (as well as full-fledged producer, writer and editor.)  I learned much from the experience and I look forward to making many more films.

Tri-Curious played in a handful of film festivals in 2016 and early 2017.  It also got picked up by U.S.-based, LGBT-focused streaming service Dekkoo.

But it was always my plan to put it on YouTube for the wider world to see it for free.   I posted it on January 30th and I'm proud to say that it's garnered over 50,000 views since then, and counting. 

Please check it out and let me know your thoughts, either here or on the YouTube page itself.   I hope you enjoy it!

And remember: if you want to get into movies as an artist, learn the craft and start making them yourself!