1. The Florida Project:
2. Dunkirk: Stunning visuals and direction from Christopher Nolan, as well as a stunningly hot and talented cast, depict the efforts to rescue the British and French armies from the beach in France in early World War II. Gripping and beautiful to watch, I loved this war film from beginning to end. It's nice to see Nolan stay true to his vision, perfectly execute it and now receive the acclaim and hopefully the nominations he deserves.
3. Lady Bird: I saw this recently and loved it. Saoirse Ronan gives a performance as equally lived in and authentic as Timothée Chalamet did in Call Me By Your Name. This is a brilliant character study and I loved the unique relationship portrayed between daughter and her mother, played by the amazing Laurie Metcalf, who I haven't seen much of since Roseanne. I also adored Tracy Letts as Lady Bird's dad, as well as Lady Bird's relationship with her best friend Julie, played by Beanie Feldstein. There are so many moments in this gem that I truly cherished. Touching, intimate filmmaking here by Greta Gerwig. (Formerly #9 but moved up after some more consideration.)
4. Call Me By Your Name: This film is a sensuous delight that perfectly captures a unique moment in time and place for its characters. It's the classic coming-of-age/first love tale many of us in the queer community have always hoped to see, free from queer film tropes like gay bashing, hateful parents or inevitable punishment and death. This film chronicles the evolution of young Elio from genius yet inexperienced teenager to broken-hearted adult, and actor Timothée Chalamet embodies the role with seemingly effortless authenticity and feeling. He is the beating heart and soul of this movie. (This was my #1, but upon more reflection and another viewing, I do find the romance fairly unsatisfying here; it works mostly as a one-sided reflection or memory of a teenager's first love that got away rather than a true romance. Plus Armie Hammer's performance seems often unconvincing to me.)
5. Get Out: This timely, anti-racist, satirical masterpiece by director Jordan Peele was released last winter, yet is now poised to do well this awards season, even perhaps take Best Picture. It deserves to. It's a perfect, original exploration of its subject matter about a young black man who visits the home of his white girlfriend only to find a house of horrors, playfully pushing buttons that need to be pushed today in our culture. Loved it!
6. The Post: Steven Spielberg taps into the zeitgeist today in this note perfect film about the 1971 backroom deliberations at the Washington Post to possibly publish details of the infamous Pentagon Papers after the New York Times had been temporarily barred from doing so. There is heady stuff here including the fight between government and the press, the competition between newspapers, the fight for equality and respect for women in the workforce. And it's all handled with a non-melodramatic touch that felt completely realistic and appropriate. Spielberg does thankfully keep some of his stylistic Spielbergisms in check, focusing on moving the story forward at all times. And the film is gorgeous including the 1970s art direction and the awesome focus on the old-fashioned news gathering and editing process, not to mention the printing press mechanics. Meryl Streep is perfect as are the rest of the cast. I was born to love this movie!
7. Baby Driver: Super-hot Ansel Elgort plays the sympathetic driver nicknamed "Baby" who transports his fellow crooks away from their crime scenes. Every element of this film - from the music, to the editing, to the sound, to the writing, to the acting - is masterful. I watched this before the Kevin Spacey scandal erupted, so I have no idea if his presence might ruin it now for viewers. But I suggest it's still demands a try.
8. The Shape of Water: This just might be director Guillermo del Toro's best, most accessible film. It's certainly my favourite one of his. It's still a little strange, but what else could it be coming from him? Let its beautiful colours, sounds, effects and performances wash over you as soon as possible, I say.
9. Okja: If you've never thought about the conditions in which your food is engineered and brought to your table, you need to see this film immediately. Director Joon-ho Bong does some of his best work here ever, artfully telling his tale without being preachy. If you have Netflix, watch it! Not only does this film enormously entertain, it inspires audiences to think. It certainly inspired me to start buying "free run" eggs despite the extra costs, although I'm not quite ready to give up meat.
10. Detroit: I didn't know much about the 1967 Detroit riots, nor the shocking and heart-breaking Algiers Motel incident that took place during it, before watching this film. But I do now thanks to the incredible talent of director Kathryn Bigelow. Harrowing and essential viewing for anyone who thinks the police are just great and that black people complain too much about discrimination and police violence.
11. I, Tonya: Hilarious and completely entertaining. Margot Robbie superbly captures the essence of Tonya Harding's humanity, in all its tragedy and ridiculousness. Allison Janney as her mother is an unforgettable villain. The rest of the cast is awesome, as are all other elements in Craig Gillespie's film.
12. Film Stars Don't Die in Liverpool: I read that many people were moved to tears during Call Me By Your Name or Lady Bird, but I wasn't. But I did cry toward the end of this lovely film, which tells the tale of aging Hollywood starlet Gloria Grahame's affair with a much younger man, upon whom she depended during the final months of her life. Annette Bening is perfect as Gloria Grahame, as is the supremely sexy Jamie Bell as Peter Turner, her lover.
13. The Big Sick: I didn't think that star Kumail Nanjiani was sexy before seeing this movie, but I definitely do now. Funny that. Fabulous all around.
14. Wonder Woman: Director Patty Jenkins (who helmed Monster back in 2003 with Charlize Theron) outdoes herself with this perfect telling of the famous heroine's story. I'd always lamented the fact that Hollywood had not yet put Wonder Woman on the screen, but considering how great this film is, the wait was worth it.
Battle of the Sexes
God's Own Country
Land of Mine
I Am Not Your Negro
An Inconvenient Sequel: Truth to Power
Star Wars: The Last Jedi
All the Money in the World
The Lost City of Z
Victoria and Abdul
A Bad Moms Christmas
Blade Runner 2049
Strangest, completely fucked, but a masterpiece:
mother!: Darren Aronofsky's most daring work can only be viewed and understood as an extended, tragic and violent metaphor. It's a tough watch and definitely not for everyone. But I've never seen anything else like this movie and remain glad I got through it.
Darkest Hour: Gary Oldman gives a great performance as Winston Churchill. But director Joe Wright has no idea how to make historical dramas gripping. Instead, he spends his time using odd lighting and showing his hero "huffing and puffing" and marching quickly down dark hallways. In calling it Darkest Hour, they mean that literally. This is the most poorly lit film I saw this year.
Three Billboards outside Ebbing, Missouri: I thought Frances McDormand, unlike in previous roles, was a little one note here. There were many great characters here with stories playing out especially with Sam Rockwell, whose character was thoroughly repulsive. Overall as a film: not horrible, but I just didn't like it that much including the (spoiler alert) non-ending.
Beach Rats: Where was all the much-hyped male nudity? And haven't I seen this closeted teen story done this way dozens of times before?
It: Unsettling and not in a good way. Watching kids fend off child molesters and killer clowns for two hours is not my idea of entertainment.
The Dark Tower: Way too short and rushed.
Valerian and the City of a Thousand Planets: Lots of visual eye candy but little depth.
Kingsman: The Golden Circle: Ugh, nowhere near as enjoyable as Part One.
The Great Wall: Look, it's white guys saving the day in People of Colour land again.
Life: Look, the black guy is the first one to die again. Couldn't finish it. How do you make a film with Jake Gyllenhaal and Ryan Reynolds together in tight quarters, and yet it still disappoints?
Worst film of 2017:
Geostorm: Makes all other apocalypse films look like masterpieces. So bad.