Saturday, April 30, 2016

RuPaul's Drag Race's huge impact on queer culture and on me....

RuPaul
Before the summer of 2015, I had never watched the hit Logo TV show 'RuPaul's Drag Race.'

The main reason: I had never been too much into drag culture and harboured some false assumptions about it.  Sure I enjoyed the occasional drag show over the years, but I had little love for drag queens.

To me, they represented perhaps only the bitchiest and most superficial elements of queer culture: the cattiness, the politically incorrect content of most acts, the hyper-feminized showiness.  I even thought much of drag culture was borderline misogynist.  Despite dressing up in drag on a couple of occasions for Halloween, I gave the whole drag thing little respect.

How foolish of me!  I have to thank my loving partner and fiance Sam, who's done his share of drag over the years, for opening my mind.

Last summer in 2015, Sam introduced me to 'RuPaul's Drag Race.'  Season 7 had just finished its run and one night we streamed Episode One.   By the time the first two unfortunate queens were selected at the episode's finale to 'Lip sync for their lives,' I was hooked.   Between sips of whatever alcohol I was drinking, I shouted out to Sam, 'This is fucking awesome!'

We then spent a huge number of nights binging on the rest of Season 7.  Being my first season, I had nothing to compare it to and enjoyed it immensely.  I've since learned that Season 7 actually was one of the least enjoyable, as many hard core fans may agree.

We then moved on to binge on Season 6, which Sam described as his favourite.  And it was awesome!  SPOILER ALERT: The hilarious victor, Bianca Del Rio, won my heart, as she did most viewers.

Chi Chi DeVayne in drag
ANOTHER SPOILER ALERT: Then we binged on Season Five to see the talented Jinkx Monsoon take the $100,000.   Finally, I went back to Season One and worked my way forward to Season Four and of course the All-Star season too.

Through this, my previous prejudices about drag got washed away.   I now fully believe that drag is the opposite of misogynist!   It's a celebration of the beauty, strength and resilience of the feminine.   I feel better about my new love of drag culture.  Now I look forward to every drag act I can have the pleasure to see.

RuPaul's show has done more to humanize drag and bring it into the mainstream of queer culture than anything else I can remember.

Chi Chi DeVayne out of drag (with some special effects help)
And, who are we kidding, it's one of the most entertaining shows on TV today.  It's the only show I currently watch as soon as possible after each broadcast and I'm completely caught up as of last week's show on April 25.

My favourite competitor this season has got to be Chi Chi DeVayne, pictured both in and out of drag.  She's gotten great since the beginning of the season with her drag looks and performance.  She's also a sweetheart and, I have to admit, rather hot as a man out of drag.

One observation: the most beautiful drag queens also tend to be quite beautiful men out of drag.

YET ANOTHER SPOILER ALERT: Season 8 is now down to its top four finalists, all of whom happen to be drag queens of colour, including Chi Chi.  It's a fascinating and awesome turn of events.   I have to agree the four finalists completely deserve this.   They've earned the top four spots with their charisma, uniqueness, nerve, and talent!

It's great to see queens of colour at the centre of a queer cultural phenomenon in North America.

Along with the fact that Black Lives Matter will be leading Toronto's Pride parade this year, this is a step forward for a community that still has much work to do in making itself fully inclusive.

My prediction for this season's finale?  I have no real idea.  Bob The Drag Queen seems incredibly talented.  Kim Chi is a "walking, talking work of art," as she was described last week by one of the judges.  The talented Naomi Smalls is gorgeous both in and out of drag.

But Chi Chi DeVayne remains my favourite.  In the last episode, two of the regular judges including Michelle Visage, called Chi Chi their favourite.  RuPaul, herself, has showered Chi Chi with a heck of a lot of love too.   So we'll see  how this one ends up.

After eight seasons, the show's format, editing and gimmicks including the standard lines have become infamous:  'The time has come....for  you to lip sync....for YOUR LIFE!   Good luck and don't fuck it up!'  

There's little chance of that.  The only question remains for how many more seasons will RuPaul and the show's producers continue this stunning, enormously entertaining and successful run.

Tuesday, April 19, 2016

New Gay Short Film Trailer - "Tri-Curious" (2016)

I'm very proud to release the official trailer for my new short comedy film, 'Tri-Curious'.

I cut it on the weekend and uploaded it to my YouTube channel.  The full film will hopefully be released at several film festivals this year.   I'll post regularly on this site about any such screenings.

In the mean time, please check out the trailer and hopefully it'll spur your interest in seeing the full short film in the near future.  

Monday, March 28, 2016

Rupert Everett's 'Judas Kiss' impresses at Mirvish Theatre in Toronto

Rupert Everett and Charlie Rowe.
I had the chance to see 'The Judas Kiss' by playwright David Hare now on stage at Toronto's Mirvish Theatre on Good Friday night.

Opening on March 22, it turned out to be the perfect week to see it due to the play's references to the infamous kiss of betrayal by Judas of Jesus Christ according to Christian folklore.

Directed by Neil Armfield, this critically acclaimed production arrives in Toronto after a sold-out run in London’s West End.  It'll move on to New York with this cast in May.

Originally staged in the 1990s, the play highlights two key days in the life of Oscar Wilde, played by Everett, first before his arrest and incarceration for 'gross indecency', and two years later in Italy where Wilde, out of prison, has ventured to reunite with his lover, Lord Alfred Douglas (or Bosie, as he's known), played by the beautiful Charlie Rowe.

Act One focuses mainly on Wilde's dilemma to either flee England and incarceration, or to take Bosie's foolish advice to fight the charges and perhaps see more of his young lover.

Why the ever romantic Wilde would choose to stay on a course towards self-destruction remains the play's central question.  It's answered in the same convoluted way the original decision was probably made by Wilde himself. 

Everett gives an astonishing performance as Oscar Wilde, owning the stage from the moment he appears until its last moments at the end of Act Two.   The supporting roles are also played exceptionally well, including by Cal McAninch as Wilde's longtime friend and former lover Robbie Ross, and Rowe as the petulant, selfish and naive Bosie.

It was interesting to see Rowe, only 19, play such a role so convincingly without making Bosie seem completely unsympathetic.  At face value, his character's actions are terrible, selfishly leading to the downfall of a great artist, someone he claimed to love.  The real Bosie seems like the perfect example of undeserving upper class nobility.

In other portraits of this infamous gay couple, Bosie has often come across as completely detestable, making Wilde's ongoing affections seem insane.  In this portrait, one can still see the affection and connection between the two men and why Wilde might find some peace and happiness in Bosie's arms.

The portrait of the foolish older gay man throwing his life away for a beautiful youth is perhaps one of the oldest tropes in gay male culture.  It mimics the similar, misogynistic trope of a powerful, older straight man whose affections for a younger femme fatale prove his undoing.

Indeed, the coupling of Oscar and Bosie may be the most famous example of this trope in modern gay culture, hence why that relationship continues to fascinate.  But ultimately, this is yet another example of an unhealthy gay male relationship, which is unfortunate as this seems to be how most gay relationships continue to be portrayed, even in art created by gay men.   If our relationships aren't depicted as negative, typically they're depicted as comical and clownish, like Mitch and Cam on 'Modern Family.'   It's rare that we see in art a healthy gay couple whose relationship happens to be incidental. 

As a filmmaker, I will say one of my hopes is to broaden the portrait of gay male relationships beyond this largely negative or silly portrayal and instead show the truth: gay men can and do form healthy, long-lasting relationships.  

Be warned, 'The Judas Kiss' contains full nudity by four of its actors, three male and one female.   Indeed, the nudity by the three young men, including Rowe, added a particularly welcome spice to the proceedings for me and wasn't gratuitous as it complemented the play's themes of repression, naked emotion and betrayal. 

Overall, I quite enjoyed it.  'The Judas Kiss' is a great work that deserves to be seen. 

Tuesday, March 22, 2016

The depressing death of a dangerously reckless and bigoted man: Rob Ford dies

Tragically, former Toronto mayor Rob Ford lost his battle with cancer this morning.  

As anyone who's read this blog since 2010 knows, I always hated Rob Ford.

I hated his bigotry and his simple-minded ideology of privilege masquerading as "man of the people" populism.

Rob Ford divided the City of Toronto in life, so it's not surprising that he's dividing it in his death.  

Death by cancer is horrible.  Death at the young age of 46 is also horrible.

Rob Ford was robbed today of life.  His family, including his young children, are also terribly robbed of him, assuming of course their relationships with him were healthy and loving.

I can't even write a sentence proclaiming my sympathy for his wife and kids without adding the caveat that I hope his death doesn't represent the end of rumoured abuse. 

Such is the enigma of Rob Ford. 

As a progressive who abhorred all of Rob Ford's politics and was horrified when he won the 2010 mayoral election, it seems impossible to reflect on this moment today without being torn.

I want to show respect for the dead and sympathy to the family.  They are hurting right now.

But my respect and sympathy sort of ends there.  There are, no doubt, thousands of Torontonians who are also mourning his death.   Just check out Twitter for examples or read Sun Media for their pathetic coverage as they attack lefties for politicizing his death while they do exactly the same thing.

Rob Ford was no man of the people.   Rob Ford was a man out for himself who loved the retail side of politics and little else.  His whole political schtick was a fraud.  He'd show up at the apartment complexes of constituents in the inner suburbs, flash his card, pretend to listen and connect, winning many fans among the ignorant, but then head downtown to attack their interests with his votes and actions.

Many things tied together Ford Nation support behind the Ford brothers, including a truly disgusting and calculated level of homophobia, expressed through both actions and inactions, including refusing to show up at Pride Day every year he was mayor.

He spent a career attacking the rights of cyclists, spreading disrespect and promoting a sense of entitlement among motorists, which I still see often as I cycle to and from work everyday.

On cyclists' safety, Ford infamously said this: "Roads are built for buses, cars, and trucks. My heart bleeds when someone gets killed, but it's their own fault at the end of the day."

His fans now calling him a man of the people are simply indulging in their privilege being part of Ford Nation.  I can imagine how one could think him lovable if one had never faced his irrational and ignorant hatred.

There are some who today said that Karma finally did him in.  After causing so much pain to so many people, including humiliating his city on the international stage with his outlandish behaviour, he refused to admit any wrongdoing and never suffered political consequences for his actions.  He filled his body with no end of garbage, from unhealthy foods, to booze, to hard drugs.

I don't believe Karma did him in.  Plain old nature did.  You can't recklessly abuse a body for that long and not shorten your own life.  Combined with his own behaviour, Ford's family history of cancer did the rest.

It's all sad and pathetic.  Of course, no person is entirely terrible.  He must've had his good sides.  There was something endearing about his goofy realness.  I hope his soul finds peace and understanding that eluded him in life.  The saddest thing about this is, dying at the age of 46, merely two years after his reign of error ended, Ford has had no time to redeem himself or learn the error of his ways.  His life is cut short.  He's been robbed.  That's tragic. 

Can I forgive Rob Ford for what he did to my city and move on?  I'll sure try.

I take inspiration from one good friend who tweeted today, quoting Tony Kushner:  "He was a terrible person. He died a hard death. So maybe...A queen can forgive her vanquished foe. It isn’t easy, it doesn’t count if it’s easy, it’s the hardest thing. Forgiveness. Which is maybe where love and justice finally meet.  Peace, at least."

Monday, January 25, 2016

Indiegogo crowd funding campaign launched to help fund my short film 'Tri-Curious'

As I wrote last month, I've been busy the last few months working on a short narrative film called Tri-Curious, my first as director, producer and film editor.

The short film is a comedy-drama about a young gay male couple about to embark on their first threesome together when one of them has a last minute anxiety attack and wants to cancel.  Trouble is, it's 20 minutes until the "guest" is set to arrive at their apartment.  Tri-Curious explores issues around modern-day relationships, monogamy, and sexual experimentation in a thoughtful, light, and hopefully amusing way.

I'm proud to present a short clip from a scene in the movie below, posted on Vimeo.


Clip from the new short film, 'Tri-Curious' by director Matt Guerin from Matt Guerin on Vimeo.

I applied for but did not receive a film completion grant.  Thus, the film is currently being financed out of my own pocket.  As a first-time director without much of my own track record in the industry, I don't think there's much chance of receiving any other funding from Canadian funding bodies.

So today I launched my own crowd funding campaign at Indiegogo to try to raise some money to help with the costs, which now stand at approximately $3,800 CAD (including $2,100 for post-production colour correction, sound design & mixing, and final packaging.)   Most of the people who worked on this film have not received any compensation for their efforts on the film, while others received very little.  There are more costs coming including marketing costs and more festival costs. 

I would dearly appreciate it if you could check out the campaign page and seriously consider investing in the film.  The campaign runs for the next 28 days (four weeks).

Money raised in this campaign will go first to pay for the film's post-production work including colour correction, sound design and mixing, and final packaging.  After that, I will prioritize compensating members of the crew.

As an indie filmmaker looking to create my calling card short film, this is how it's done.  I made certain creative and production decisions to keep costs down without compromising my own artistic vision.  The result is a film I'm extremely proud of and I'm very hopeful that it will have much success on the film festival circuit this year and eventually on YouTube.   If you want to be a part of this exciting project, please head over to the Indiegogo campaign page and consider one of the various reward donations.   I'd be most grateful.  

Friday, June 26, 2015

Day of celebration: U.S. Supreme Court rules states must allow same-sex marriage

Y

This is a great day in the U.S.  The Supreme Court today legalized gay marriage in a 5-4 ruling in Obergefell v. Hodges The opinion holds that the Fourteenth Amendment requires a state to issue a marriage license to same-sex couples.  All four dissenting justices wrote an individual dissent.  Justice Kennedy voted with the liberal block.

I'd like to quote from Kennedy’s opinion, as posted here: 

“Marriage is sacred to those who live by their religions and offers unique fulfillment to those who find meaning in the secular realm. Its dynamic allows two people to find a life that could not be found alone, for a marriage becomes greater than just the two persons. Rising from the most basic human needs, marriage is essential to our most profound hopes and aspirations.

“Far from seeking to devalue marriage, the petitioners seek it for themselves because of their respect—and need—for its privileges and responsibilities. And their immutable nature dictates that same-sex marriage is their only real path to this profound commitment.

“The ancient origins of marriage confirm its centrality, but it has not stood in isolation from developments in law and society. The history of marriage is one of both continuity and change. That institution—even as confined to opposite-sex relations—has evolved over time. 

“No union is more profound than marriage, for it embodies the highest ideals of love, fidelity, devotion, sacrifice, and family. In forming a marital union, two people become something greater than once they were. As some of the petitioners in these cases demonstrate, marriage embodies a love that may endure even past death. It would misunderstand these men and women to say they disrespect the idea of marriage. Their plea is that they do respect it, respect it so deeply that they seek to find its fulfillment for themselves. Their hope is not to be condemned to live in loneliness, excluded from one of civilization’s oldest institutions. They ask for equal dignity in the eyes of the law. The Constitution grants them that right.”

Predictably, most Republican leaders are standing next to the bigots of old, like other social conservatives did in the past on similar issues like civil rights. 

Monday, June 22, 2015

Rob Salerno's 'First Day Back' is a moving tribute to queer victims of bullying

Rob Salerno in 'First Day Back'
I checked out the one-man show 'First Day Back' written and performed by Toronto-based actor Rob Salerno on the weekend at Toronto's Storefront Theatre and wasn't disappointed.

Mostly inspired by the tragic 2011 suicide of Ottawa's Jamie Hubley, Salerno has crafted a complex, moving, and beautiful tribute to the young queers we've lost due to high school bullying and other youth left behind forced to struggle with their losses.   

The one-hour play continues this week with three more shows on Thursday, Friday, and Saturday nights.  I highly recommend you check it out if you have the chance.  Tickets can be bought in advance here.

Monday, June 1, 2015

Inside Out Festival's new gay film trend: the Post-Gay Man...

Scene from award-winning short 'Hole'
The 25th annual Toronto Inside Out LGBT Film Festival has just wrapped up for another year. Dozens of films were consumed by audiences, many enjoyed, others hated.

My favourite: an astonishing short film called 'Hole,' (pictured above) by director Martin Edralin, filmed in Toronto, about an older disabled man yearning for intimacy in a world that would rather ignore him.  Lead actor Ken Harrower, who's greatly disabled himself, does mesmerizing work portraying his character's quiet dignity and agony, as well as frustrated lust for his home care male nurse.  I won't soon forget this amazing film, which won Best Canadian Short at the festival.

You can view the short's trailer below:

Hole - Trailer from Martin Edralin on Vimeo.

Other short films I loved included director Mark Pariselli's dark comedy 'Monster Mash', directors Sonya Reynolds and Lauren Hortie's animated short documentary 'Midnight at the Continental', and director Jason Karman's 'I Really Like You.'

Lily Tomlin with co-star Julia Garner in 'Grandma'. 
Among the feature films I saw, I liked Lily Tomlin's new film 'Grandma,' which opened the festival.  Tomlin sufficiently chewed up the scenery with her cranky, grieving, penniless matriarch trying to help her granddaughter find money for a quick abortion.   It was very enjoyable, not too melodramatic, showcasing Tomlin's talents as well as the rest of the cast.

But many male-centred films I saw this year explored stories about sexually ambiguous men, or presumably heterosexual men who face few if any agonies over their sexual identities, but end up flirting with their gay sides in less-than-cut-and-dry romances or bromances.  Some might refer to these identities as "post-gay," or label-free sexualities that don't fit neatly into identities like "gay" and "straight."

One such film I loved was the Brazilian flick by directors Filipe Matzembacher and Marcio Reolon called 'Seashore' (pictured below.)  Two cute boys on the edge of adulthood, Martin (seemingly very heterosexual) and friend Tomaz (who we at first suspect is gay and later he confirms it to his old friend,) begin a journey to a seaside community to do Martin's absent father a mysterious favour.  We later find out Martin's father is too much of a coward to do the task himself - which is to obtain a property document to evict some estranged family from their longtime home.

Actors Mateus Almada and Mauricio Barcellos in 'Seashore'
The story unfolds in casual and oft confusing fashion, with few of these facts explained clearly until the audience puts all the clues together along with the protagonists.  At the end, unhappy with his father's behaviour and looking for some youthful rebellion, young Martin decides to engage in some experimental (and fairly steamy) sex with Tomaz.

I'll cautiously recommend the film, but will warn that its slow pace and minimal characterization might drive some viewers crazy.  Several audience members walked out of my screening.   Here's the trailer:



'Seashore' wasn't the only film that focussed on "post-gay" males.

Nils Bokamp's slight 'You & I' (pictured below) was entertaining, thanks to the immense good looks and frequent nudity of its three male leads.   Old friends Jonas (supposedly straight) and Philip (openly gay) embark on an excursion through the German countryside to take photographs, skinny dip, and have some fun.

SPOILER ALERT: Along the way, they pick up Polish cutie Boris, who makes the moves on Philip, causing unexpected jealousy in Jonas and some sexual tension.  In the end, jealousy seems to spur Jonas to admit his own sexual affection for his longtime friend Philip.

Focussing on similar themes, Santiago Giralt's feature 'Jess & James' from Argentina was feeble by comparison, boring and unaccomplished, with weaker storytelling and acting.

Marçal Forés' very ironically titled 'Everlasting Love,' was a subversive take on the old storyline trope of older man/much younger lover.  Not much sexual ambiguity here, but much darker and surprising stuff instead including some cannibalism.  After its final credits started to roll, I whispered to myself, 'That's fucked up.'   I'll say no more.  Many in the crowd seemed to hate it, but I found it darkly hilarious.

Inside Out also screened a new director's cut of '54', the 1998 bomb starring a gorgeously young Ryan Phillippe.  Miramax butchered director Mark Christopher's original cut, taking out all the queer content and turning a mediocre examination of the late 1970s New York city club into a boring, sanitized mess.
Scene from '54'

The director's cut was mildly more enjoyable than the original, with at least the queer content and sexual ambiguity restored.  The infamous kiss between Phillippe and co-star Breckin Meyer, cut from the original film, is back, but it's still not all that great a shot (as the camera focuses on the back of Meyer's head instead of their locked lips.) After its finale, I walked out of the packed screening feeling a bit dirty and unsatisfied.  But clearly the lurid subject matter might make this re-cut a bit of a gay cult classic.

So all in all, a decent Inside Out experience again this year.  Gone are the oft-told, perhaps old-fashioned stories of closeted queer boys struggling to come out.  In their place, we are seeing a different approach to sexual identities, with men who might legitimately identify as "straight," find themselves open to a little queer action.  The boys are finally catching up to the girls, who've been enjoying sexual fluidity on the screen for years.  It's a nice change and very welcome.

Friday, May 22, 2015

My thoughts are with Ireland today...

The Irish are voting in a historic referendum today on marriage equality.   I'm mostly Irish by blood, although not by citizenship.   And, as you can guess, I'm hoping that it turns out well for those who favour equality.

At first, I was surprised that such a vote on minority rights would be put to popular vote.  But, as this article makes clear, legalizing equal marriage in the constitution requires a constitutional amendment voted on by the public in order to avoid future legal challenges.  

Still, one has to worry what the formerly staunch conservative voters of Ireland will do today.  The country only decriminalized homosexuality in 1993.  The country seems to have become more liberal since.  Polls showed the pro-equality side far ahead right up until today.  

In the U.S., where similar referenda have taken place in the last 15 to 20 years, the experience was mostly negative until 2012, when voters started approving equality and shutting down attempts to ban gay marriage.   The tide has turned in that country. 

In Canada, the pro-equal marriage side won out 10 years ago, with courts and legislatures voting in favour.  Polls now show 65% of Canadians support equal marriage. 

Voting in Ireland continues today until 10 pm Irish time, or 5 pm Toronto time.  (Although results won't be fully counted until Saturday, apparently.)  So hopefully we'll get good news to celebrate tomorrow. 

In the mean time, glad to share this Canadian video supporting the equal marriage cause:


Monday, May 4, 2015

Canada now has two elected, openly LGBT premiers

PEI Premier Wade MacLauchlan
With tonight's majority Liberal win in Prince Edward Island, Wade MacLauchlan becomes the second openly gay premier elected in Canada (after Kathleen Wynne in Ontario.)

Most celebratory of all is how his sexual orientation seemed to be a non-issue in the race.  How far we have come, indeed!

MacLauchlan's Liberals won 18 seats out of 27 in the province.  The PCs took 8 seats, but their leader Rob Lantz narrowly failed to win his own Charlottetown seat.   

Of note, the provincial NDP and the Greens won big gains in the popular vote, with the Green Party leader, Peter Bevan-Baker, handily winning his party's first seat in the island legislature.   (Unfortunately for the NDP, their increase in the vote was less concentrated and failed to elect anyone under Canada's first-past-the-post voting system. But with tomorrow's election in Alberta, the NDP may soon be smiling.)

For full results,  click here to go to the CBC's election website.