I'm delighted to share my annual list of my favourite feature films released in 2017. Of course, I'm no movie critic so I haven't been able to see every major release this year, so there are several probably great films I have yet to see which could find their way into my top 13 favourites (in fact, one just did;
The Florida Project has jumped to number 1 on my list!) As I continue to see more movies, or as my opinions evolve upon more reflection, I'll continue amend this post, like I always do. While I do consider myself a refined cineaste, this list is still, first and foremost, a list of my favourites. So very good films that simply didn't appeal to me or even offended me won't make it on this list. Still generally, I don't think any film critic or film lover would quibble with my top 13:
1. The Florida Project: Wow! Everything about this tender, incredible film is note perfect. The film depicts life for a little girl living with her troubled single mother in a Florida housing project/motel and it's quietly riveting. The performance by Bria Vinaite as the mother is mesmerizing and so is young Brooklyn Prince as Moonee, through whose eyes we see the experience unfold. Plus I don't remember enjoying a performance by Willem Dafoe this much. He most certainly deserves the acclaim he's getting for this. This is great filmmaking.
2.
Dunkirk: Stunning visuals and direction from
Christopher Nolan, as well as a stunningly hot and talented cast, depict
the efforts to rescue the British and French armies from the beach in
France in early World War II. Gripping and beautiful to watch, I loved
this war film from beginning to end. It's nice to see Nolan stay true
to his vision, perfectly execute it and now receive the acclaim and
hopefully the nominations he deserves.
3.
Lady Bird: I saw this recently and loved it. Saoirse
Ronan gives a performance as equally lived in and authentic as Timothée
Chalamet did in
Call Me By Your Name. This is a brilliant
character study and I loved the unique relationship portrayed between
daughter and her mother, played by the amazing Laurie Metcalf, who I
haven't seen much of since
Roseanne. I also adored Tracy Letts as Lady Bird's dad, as well as Lady Bird's relationship with her best friend Julie, played by Beanie Feldstein. There are so many moments in this gem that I truly cherished. Touching, intimate filmmaking here by Greta Gerwig. (Formerly #9 but moved up after some more consideration.)
4. Call Me By Your Name: This film is a
sensuous delight that perfectly captures a unique moment in time and
place for its characters. It's the classic coming-of-age/first love
tale many of us in the queer community have always hoped to see, free
from queer film tropes like gay bashing, hateful parents or inevitable
punishment and death. This film
chronicles the evolution of young Elio from genius yet inexperienced
teenager to broken-hearted adult, and actor Timothée Chalamet embodies
the role with seemingly effortless authenticity and feeling. He is the
beating heart and soul of this movie. (This was my #1, but upon more
reflection and another viewing, I do find the romance fairly
unsatisfying here; it works mostly as a one-sided reflection or memory
of a teenager's first love that got away rather than a true romance.
Plus Armie Hammer's performance seems often unconvincing to me.)
5.
Get Out: This timely, anti-racist, satirical
masterpiece by director Jordan Peele was released last winter, yet is
now poised to do well this awards season, even perhaps take Best
Picture. It deserves to. It's a perfect, original exploration of its
subject matter about a young black man who visits the home of his white
girlfriend only to find a house of horrors, playfully pushing buttons
that need to be pushed today in our culture. Loved it!
6.
The Post: Steven Spielberg taps into the zeitgeist
today in this note perfect film about the 1971 backroom
deliberations at the Washington Post to possibly publish details of the
infamous Pentagon Papers after the New York Times had been temporarily
barred from doing so. There is heady stuff here including the fight
between government and the press, the competition between newspapers,
the fight for equality and respect for women in the workforce. And it's
all handled
with a non-melodramatic touch that felt completely realistic and
appropriate. Spielberg does thankfully keep some of his stylistic
Spielbergisms in check, focusing on moving the story forward at all
times. And the film is gorgeous including the 1970s art direction and
the awesome focus on the old-fashioned news gathering and editing
process, not to mention the printing press mechanics. Meryl
Streep is perfect as are the rest of the cast. I was born to love this
movie!
7.
Baby Driver: Super-hot Ansel Elgort plays the sympathetic driver nicknamed "Baby" who transports his fellow crooks away from their crime scenes. Every element of this film - from the music, to the editing, to the sound, to the writing, to the acting - is masterful. I watched this before the Kevin Spacey scandal erupted, so I have no idea if his presence might ruin it now for viewers. But I suggest it's still demands a try.
8.
The Shape of Water: This just might be director
Guillermo del Toro's best, most accessible film. It's certainly my
favourite one of his. It's still a little strange, but what else could
it be coming from him? Let its beautiful colours, sounds, effects and
performances wash over you as soon as possible, I say.
9.
Okja: If you've never thought about the conditions in which your food is engineered and brought to your table, you need to see this film immediately. Director Joon-ho Bong does some of his best work here ever, artfully telling his tale without being preachy. If you have Netflix, watch it! Not only does this film enormously entertain, it inspires audiences to think. It certainly inspired me to start buying "free run" eggs despite the extra costs, although I'm not quite ready to give up meat.
10.
Detroit: I didn't know much about the 1967 Detroit riots, nor the shocking and heart-breaking Algiers Motel incident that took place during it, before watching this film. But I do now thanks to the incredible talent of director Kathryn Bigelow. Harrowing and essential viewing for anyone who thinks the police are just great and that black people complain too much about discrimination and police violence.
11.
I, Tonya: Hilarious and completely entertaining. Margot Robbie superbly captures the essence of Tonya Harding's humanity, in all its tragedy and ridiculousness. Allison Janney as her mother is an unforgettable villain. The rest of the cast is awesome, as are all other elements in Craig Gillespie's film.
12.
Film Stars Don't Die in Liverpool: I read that many people were moved to tears during
Call Me By Your Name or
Lady Bird, but I wasn't. But I did cry toward the end of this lovely film, which tells the tale of aging Hollywood starlet Gloria Grahame's affair with a much younger man, upon whom she depended during the final months of her life. Annette Bening is perfect as Gloria Grahame, as is the supremely sexy Jamie Bell as Peter Turner, her lover.
13.
The Big Sick: I didn't think that star Kumail Nanjiani was sexy before seeing this movie, but I definitely do now. Funny that. Fabulous all around.
14.
Wonder Woman: Director Patty Jenkins (who helmed
Monster back in 2003 with Charlize Theron) outdoes herself with this perfect telling of the famous heroine's story. I'd always lamented the fact that Hollywood had not yet put Wonder Woman on the screen, but considering how great this film is, the wait was worth it.
Honorable mentions:
Battle of the Sexes
God's Own Country
Spider-Man: Homecoming
Land of Mine
Mudbound
I Am Not Your Negro
An Inconvenient Sequel: Truth to Power
Star Wars: The Last Jedi
All the Money in the World
The Lost City of Z
Victoria and Abdul
A Bad Moms Christmas
Blade Runner 2049
Stronger
Strangest, completely fucked, but a masterpiece:
mother!: Darren Aronofsky's most daring work can only be viewed and understood as an extended, tragic and violent metaphor. It's a tough watch and definitely not for everyone. But I've never seen anything else like this movie and remain glad I got through it.
Disappointing:
Darkest Hour: Gary Oldman gives a great performance as Winston Churchill. But director Joe Wright has no idea how to make historical dramas gripping. Instead, he spends his time using odd lighting and showing his hero "huffing and puffing" and marching quickly down dark hallways. In calling it
Darkest Hour, they mean that literally. This is the most poorly lit film I saw this year.
Three Billboards outside Ebbing, Missouri: I thought Frances McDormand, unlike in previous roles, was a little one note here. There were many great characters here with stories playing out especially with Sam Rockwell, whose character was thoroughly repulsive. Overall as a film: not horrible, but I just didn't like it that much including the (spoiler alert) non-ending.
Beach Rats: Where was all the much-hyped male nudity? And haven't I seen this closeted teen story done this way dozens of times before?
It: Unsettling and not in a good way. Watching kids fend off child molesters and killer clowns for two hours is not my idea of entertainment.
The Dark Tower: Way too short and rushed.
Valerian and the City of a Thousand Planets: Lots of visual eye candy but little depth.
Kingsman: The Golden Circle: Ugh, nowhere near as enjoyable as Part One.
The Great Wall: Look, it's white guys saving the day in People of Colour land again.
Life: Look, the black guy is the first one to die again. Couldn't finish it. How do you make a film with Jake Gyllenhaal and Ryan Reynolds together in tight quarters, and yet it still disappoints?
Worst film of 2017:
Geostorm: Makes all other apocalypse films look like masterpieces. So bad.